ShinDaiko is a vibrant, Greater Boston-based contemporary taiko ensemble founded in 2012. Our focus and performances not only showcase the intensity, passion and history of Japanese ensemble drumming, but also incorporate other instruments and styles, both Western and Eastern. Between our six members and various guest artists, we have a wide range of experience in strings, winds, percussion, and composition.
The Japanese character “Shin” in ShinDaiko means “advancing” or “moving forward.” We seek to always be moving forward in our musical vision, to explore new ideas and concepts, and to weave the powerful sounds of taiko with other musical influences to create our own distinct melody.
Learn more about our members below.
We are a small ensemble and do not offer taiko classes, but we do offer limited apprenticeships and oppurtunities for membership. The ideal candidate should have previous taiko and stage performance experience. Other musical background, such as in Western classical training, jazz, or Japanese or Asian strings/woodwinds is highly desireable, although not necessarily required. Prospective members should be able to read Western sheet music.
If you meet the above criteria and are interested in playing with ShinDaiko, please contact firstname.lastname@example.org
Sara began playing taiko in high school, under the Concord-Carlisle High School taiko program, Taiko After Dark, led by Mark H Rooney of Odaiko New England. She attended Wellesley College and joined the university taiko group, Aiko, and served as Aiko’s artistic director. While at Aiko, she studied under both Mark H Rooney and Isaku Kageyama. In 2013, after her graduation from Wellesley, she became a member of ShinDaiko.
In addition to her taiko experience, Sara is classically trained in western flute, performing throughout New England as well as Greece and Japan. She also studied classical Chinese flute under Tai-Chun Pan and performed with the Greater Boston Chinese Cultural Association (GBCCA) Chinese Music Ensemble. She has brought her flute talents to taiko in the past with her previous two taiko groups and ShinDaiko is proud to welcome her as another fue player.
Sara currently works in the financial services industry. In her free time, she dabbles in piano and pilates.
Having played guitar since he was 14, Greg went on to pursue formal music studies at the University of Massachusetts, Lowell, and Berklee College of Music in Boston and trained as a jazz musician. It wasn’t until 2007 that he was introduced to taiko and began taking classes at Odaiko New England under Mark H Rooney. He played with Odaiko New England as a performing member until 2010 and became a founding member of ShinDaiko in 2012.
Besides taiko and guitar, Greg also plays bass guitar, drum kit, piano, and the shakuhachi. He has a keen interest in studio sound recording and mixing and provides much of that expertise for ShinDaiko. He also specializes in original music composition across multiple genres.
Greg’s musical influences include jazz, progressive rock and heavy metal. In his downtime, he runs, hikes, and rock climbs.
Ger began her musical studies in classical piano at the age of six and classical western flute at the age of nine. She studied and performed on both instruments under various instructors in Chicago, Denver, and Houston until the age of 18. She also studied conducting and drum majoring under the legendary Drum and Bugle Corps leader George N. Parks.
She joined Odaiko New England as a student under Mark H Rooney and later Juni Kobayashi, and became an apprentice at ONE in 2011, appearing in performances around Boston with her husband Shane. In 2012, she joined ShinDaiko as a founding member and is the second of ShinDaiko’s two fue players. In 2014, she participated in Wadaiko Tokara’s taiko intensive course hosted by odaiko champion Art Lee in Nagano Prefecture, Japan.Ger is influenced by a wide variety of musical genres, including classical, opera, big band jazz, video game music, and Asian pop.
In her non-taiko life, Ger works as a writer, photographer, and sailor. She is also the author of several books on John Manjiro, one of the first Japanese to live in America.
Shane comes from a family of drummers, including his mother and two brothers and has been playing percussion for almost 25 years. He joined his high school marching band and drum line and from there branched out to a wide variety of percussion instruments, including drum set and later, taiko. He joined Odaiko New England in 2007 and studied with Mark H Rooney, later becoming a performing member of ONE until 2012, when he joined ShinDaiko as a founding member. He also was a member of the 2008 taiko residency program hosted by the Japanese taiko group Shidara, based in Aichi prefecture, Japan.
Along with Tanya, Shane also provides the bulk of ShinDaiko’s drum-building experience. He is avidly interested in both traditional and new methods of taiko drum building and finds it important to document the drum-building process to share this knowledge with the greater taiko community. Besides drums themselves, Shane also makes a wide variety of bachi and drum stands.
By day, Shane works as a physicist and in the evenings can be found writing out new drills for ShinDaiko’s practice sessions. Besides taiko, he is also a big fan of quality beer and an avid homebrewer.
Hailing from the San Francisco Bay Area, Karin first started playing taiko as an undergraduate student at Wellesley College in Wellesley, Massachusetts. As a member of Wellesley Aiko along with our member Sara Li, she studied under Isaku Kageyama, formerly of Amanojaku, and Mark H Rooney. She was one of the group’s co-presidents during her senior year. Karin joined ShinDaiko as a junior member in fall 2014.
Outside of taiko, Karin works as a clinical research assistant at Massachusetts General Hospital. She enjoys listening to country music and Eminem, sleeping, taking long aimless walks, and brunch. Always brunch.
ShuWen grew up in Shizuoka, Japan, and Shanghai, China. Finding herself captivated by taiko at festivals and celebrations when she was young, she joined the University of Southern California’s Kazan Taiko when she moved to California for college. Kazan Taiko’s practices at Senshin Temple, home of Kinnara Taiko, introduced her to the philosophy of putting aside the ego and playing to connect with others and the community. ShuWen served as the group’s executive director for two years before she graduated and moved to Boston for a job in the publishing industry.
Besides playing with Kazan Taiko, ShuWen has participated in a collegiate taiko intensive with San Jose Taiko as well as workshops with Yuta Kato, some of the many taiko players whose approach to taiko she respects and admires.
Having played classical piano since the age of five, ShuWen brings multiple musical influences to ShinDaiko, including jazz, bossa nova, and rock. Her newest influence, coming from having lived in Los Angeles for four years, is hip-hop. She likes to learn hip-hop dance in her spare time, travel and see live music, and discover new places to eat.
Tanya began playing taiko with Odaiko New England in 2007 under the direction of Mark H Rooney. She is a founding member of ShinDaiko and has studied with taiko masters including Kenny Endo, Kris Bergstrom, Masato Baba, Tiffany Tamaribuchi, Ryo Shimamoto, and Kaoru Watanabe. She was a participant in Kodo’s 2010 KasaMix tour to Sado Island, Japan.
Tanya now splits her time between Honolulu, Hawaii and the Washington, D.C. area. While in Hawaii, she plays with Kenny Endo Taiko Ensemble, and in D.C. she performs as a guest artist with our former teacher Mark H Rooney.